Chris sent me over this track and i got to wondering what i could do to add to it. The tragedy of the Russian plane flying back from Egypt came to mind ..... CHAOS The chaos of our time rules our minds The crazy trust in chaos Chaos will…

Based on a Yoruba Obàtálá pattern, which I hope Greg doesn't find underhanded. Congas and cowbell. 4/4 160bpm.

Cardboard box, congas, shekeré, kokiriko, no metronome.

Ah! My favorite Saint. Tuned Congas, glass-beaded shekere and bass cajon. 4/4. BPM? Heaven knows. Had the headphones blissfully off for this one.

I went over to Reg's place the other day and he sort of scared me. He was out on his deck, pitching butts and spilling gin that he couldn't afford. He was a mess and had a crazed look in his eyes. I could tell he was ruminating again about…

The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried. Lyrics: *Try not to get worried* *I am with you always* *Try not to get worried* *And don’t forget* *Simply…

I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…

*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane. A new son reveals…

This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…

Conga improvisation. 4/4 ?bpm