I went over to Reg's place the other day and he sort of scared me. He was out on his deck, pitching butts and spilling gin that he couldn't afford. He was a mess and had a crazed look in his eyes. I could tell he was ruminating again about…

The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried. Lyrics: *Try not to get worried* *I am with you always* *Try not to get worried* *And don’t forget* *Simply…

I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…

*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane. A new son reveals…

This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…

Conga improvisation. 4/4 ?bpm

I hope he likes funk. 4/4 200bpm

Merengues are fast arrangements with a 2/4 beat, originating from the Dominican Republic. The traditional instrumentation includes a "güira" (guiro), which is a percussion instrument that sounds like a scrapper. The Merengue güira is a cylinder…

There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana). “Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…

Chris sent this track to me earlier today with the request that I add some percussion to it. I had something different in mind. After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…