The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…

The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…

An experiment with recording keyboard improvisations and running them through Paul's Extreme Sound Stretch. Orchestra X-7 was just the seat I was assigned at a concert once.

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

Not sure what genre this is in, other than "noisy". I also don't think it's finished, I'm just throwing up what I've got thus far.

An experiment with recording keyboard improvisations and running them through Paul's Extreme Sound Stretch. Orchestra X-7 was just the seat I was assigned at a concert once.

Of the whole album, this is the track I had most fun making. The instrumentation consists of accordion, beer bottle, work desk, toy keyboard, whistling, and scissors.

I'll admit I completely ripped off the rhythm of "Closer" by NIN here.

I'm proud to say this is one of the weirdest songs I've ever done. I got some more use out of the beer bottle here, this time hitting it with a pencil instead of blowing on it.

As you can probably tell, I had a lot of fun with gratuitous panning and weird vocal effects on this album.