This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…

Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.

Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.

I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.

There's no reason for this to be named after the infamous section of craigslist, beyond the song itself sounding sort of sleazy I guess. The ending isn't meant as political commentary, it's just a funny moment I happened to capture.

The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…

Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.

The coda of this was recorded on my mp3 player while waiting for a train. At some point I had this idea that there would be ambient noise recorded from train or bus stations every few songs so it'd sort of feel like you were listening to the whole…