This is a song about someone who always needs you to bail them out of trouble, but never repays you.

Australian industrial group Kerosene Breakfast have been recording since 1992. Their latest single, "Burder", was inspired by an incident where lead vocalist Travis Skinflint witnessed one bird brutally attack another outside the window of his home.

I deliberately made it unclear whether it's "I'm leaving you" or "I believe in you" (originally, it was the latter)>

Under the influence of Godflesh.

Walking up the hill to my house, I could hear someone else walking behind me. This isn’t too unusual, though it’s somewhat late at night and I live a bit far from the main part of town. Suddenly, I realize that this other person is now in fact…

A song about riding a train, in the style of early synth pop.

This is an actual thought I had once.

Written under the influence of Throbbing Gristle.

Mostly melodica improvisations played backwards. I accidentally recorded the sound of me plugging a microphone into the computer and ended up distorting it, looping it, and making it the rhythm track - I've pulled similar tricks on some of my…

An experiment with very short electronic loops. The very first sound you hear in this song is all of the tracks I used for it running at once for one second - this was the result of an editing mistake, but as I was trying to make something harsh…

A piece based around pitch-shifted melodica.

Named after a public domain pulp fiction story I once found online.

This is actually another melodica-based track, you just can't tell due to excessive pitch-shifting.

Dan Deacon has a piece called "Drinking Out Of Cups" where he put a TV on mute and reacted to everything he saw as though he were a tough guy from New Jersey. I thought I'd do something similar, then use it as a sample source.

There is no Murdercat I, I just like titling songs as though they were horror b-movies. "Feline Doom" was an autocorrect for "Celine Dion" though.

The subtitle is because years earlier I did a totally different piece called "Ann (OMG)".

Another one of my fake bit pieces, composed entirely with pitch-shifted square waves.

For the vocals, I sang improvised nonsense syllables, then played them backwards.

A couple of the loops from "Haugh Vis Roumgh" slowed down to 70 bpm (which the lowest bpm Sony ACID will allow).