third inversion

quill

My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The path narrows, and the parts listen to the insisting space.

My tracks do sound repetitive, one to the next; be that as it may, we are searching for our voices, and I experience those recorded moments that seem complete to me - as this one is - as “continuity” rather than “repetition”. As though this track was continuous with “Black”, which we tried out at a previous session and is also posted here.