So, a change from the Orchestral stuff...! Cover version time!! As a young keyboard player in a brilliant band back in the 1970's, we covered several Elton John songs and especially from the iconic Goodbye Yellow Brick Road album. The show piece…

Cover number 2 - I've given this Paul Carrack classic a 'live' feel - don't ask why...other than I was inspired to lay down my version of the track after seeing him and his band in concert here earlier in the year....just brilliant!!

Swizzy new hit jam

3 guitars vs drums with effects at the ready

solo guitar made to sound rather big....

Story of fate and failure....

https://alonetone.com/vaisvil/tracks/cover-of-ashes-to-ashes this is the song I karaokied to by Chris Vaisvil cover song of "Ashes to Ashes" by david bowie

Double tracked cymbal with rubber mallet. I wasn't sure I liked how the first take went, so tried it again. Still couldn't decide which I preferred, so decided to overlap them. Each was recorded in two track mono, so panned them 30% either side…

Originally recorded for my 2019 RPM Challenge album "The Dark Side of the Moo." I was never really satisfied with it (listen to the original version), so I decided to add some strings and remix it. Much better.

fretless junk strat meets the Mothership

Nothing really noteworthy about this one except that it's in 7/8 time. If I didn't stop myself I'd write every song in 7/8 time. I just like my rock and roll in screwy time signatures. What's a red head to do, right? Guitars are all Gibson…

Not sure of the mix on this one. I thought about putting a flanger onto the bass when it's the only thing playing in the middle of the song. I still might go back and do it. The guitars are all Gibson ES-335 and the amps are all Fender Bassbreaker…

Olonto Toronto is back again, after being quiet for some years, the artist is now back with a controversial song title Corona No Dey Naija, taken inspiration from the legendary Fela anikulapo Kuti, Olonto releases Afro beat track regarding the…

Result of experimenting around with some ghostlike effects

I really enjoy working on these quiet little semi-trippy ballad type things, but then when I listen back a month or two later I can't figure out why I liked it and then I never listen to it again. I can see this song's future. I put delays…

Okay, am I the only person who thinks it's delightfully goofy to play a 12-bar blues in 7/8 time? I think I might be. I keep doing it and I just giggle all the way through. This one isn't that good of an example as I was mentally done with…