www.dusthill.net

An experiment in augmentation. Turns out when you spend a few hours on a recording project, and then not like the direction that it is taking, it becomes interesting what you can do to change it and grow into something different.

The name has no meaning. Not sure if the song does either. Other than creating a running rhythm for someone else's enjoyment. There is really not any type of hook in the song either, so if you are listening for that, well, don't try.

A short trip into the world of darkness and noise.

This vacuous stint has no message to give, nor does it have a story. It is merely here to entertain you. But it is good to know that all of that hard work has finally paid off.

This music was inspired simply by the title, and was recorded in a single take. This means that if you hear any wrong notes, well, they are not actually wrong, it was just recorded that way.

Yet another single take song, where the record button was hit and things happened. As you can probably tell, this song has extremely high commercial potential. Note: listen for the key change in the coda.

Another favoured title which inspired the music. Try to listen to the vocals and you will simply find that you cannot understand what is being said. This was intentional.

The title also denotes the key. But not only that, but all instruments are playing the note, D, and nothing else. Yet another experiment without a conclusion.

Like most of my music, the title was chosen before the words or music were written. When it came to writting the lyrics, which was the same moment when they were required to finish the song, the first thing out of my mouth was the noise you hear…

This you could say would be my "Dylanesque" song, and I promise not to do this ever again! Anyway, it was a way for me to prove that you can actually write a song based on a beginning line, much like The Beatles song, "Run For Your Life". Not…

This is an attempt at pulling of mixing several musical genres together, including latin, techno and ambient. It's a complete instrumental, and seems to go on forever. The mastering on it is not as good as it should have been, but oh well.

A Lil' Diddy 'bout sexual sadism.

Another track from my unreleased instrumental album, "The Eargasmic Orchestra".

Written by our most excellent drummer, Bobby

Electronic backing track I created for the Cancer movement of "Zodiacrobatic", remixing "Tierkreis" by Karlheinz Stockhausen.

chest cold, beer, passion.

the original is the remix, is the original