a simple song about a man, a raft, a bottle, and a monkey. Blow me a jungle. guitars shift seamlessy backwards and forwards ina barely accoustic nod while a hapless sailor drifts in and out of consciousness, the water skipping over his toes and…

i dont know why this song is so racist. At least it doesn't have lyrics. The guitar will break your neck if the synth babble doesn t tear you head off first

so,so vision and quests/choices made/ artillery set/accessories found off a dead mans chest/ nature in pixels/ sight without smells and fingertips felt/ only plastic and components/ binary binds you/binary it blinds you/ the world it waits/ outside…

a spicy latte instrumental. a little chai. a butch looking cheeseburger. now in stereo

cute and casio

lyrics by juniper arrangemnt by juniper, vocals by hot wheels.

that mood is so scary/comes forth quickly/ like im a spooked animal/ I know you have been domesticated/ through centuries/ so what possession/ telltale twitch jettisoned... There lurks something about/ spillings of toxic oil/ crytalline liquid…

can you justify reality?

this song is a take on classicism and neo fascism, and not sounding like everyone else.

With Phil Close on multiple instruments/production. A song mainly about my disrepect for celebrity culture.

Don't call me the dog's name.

Instrumental assists from Michael Kardos, overall arrangement by Phil Close, additional vocals from Lee Cusenbary. Envisioned as a cheesy Costa Rican Tourist Board jingle framing a love song.

Everybody loves the Good old Days. Instrumental and production help from Phil Close

Thou Shalt not Kill. Stripped down Tangmo.

Additional instruments and arrangements by Thom Polimeros.

I co-wrote the lyric with Bill Liggett, and the music with Michael Kardoff. Don't do business with Ms. Calamari.

This track replaced the one in this position which was on the orginal RPM album. Based on some tales from real-life Houston Bail-bondsman (and frequent collaborator) Jay Lindsey.

This song was honored by peers at RPM in '07 by being voted into inclusion on an all-RPM compiliation originally intended for HEAR! music. The lyric is about the inevitability of bad times. It's good to live optimistically, but let's face it…

Another instrumental "bonus". Sort of a tribute to Danny Elfman, whose soundtracks I'd been listening to quite a bit at the time.

Instrumental. Not as angry as the title sounds. ;)