This is our first album, a collection of work recorded between 1987 and 1994 in our home studio. We released it independently on cassettes.

Pour Marjo. A piece I did for a friend back in 2021.

There's a stretch of shore that the old men know Where the waves they rumble and long swells roll Flakes stand tall and the cod lay white Dried by the sun and the ocean's sweet bite They call it a room not for walls nor doors A fisherman…

In 1987, John and Paul conducted a one-off experiment. They recorded these songs in Paul's home studio. John provided vocals and wrote the lyrics. Paul handled the drum programming, synths, guitar, and bass. Influences include gothic, post-underground…

This is our first album, a collection of work recorded between 1987 and 1994 in our home studio. We released it independently on cassettes.

Maya Mind is a series of narrative soundtracks where you are invited to put on headphones, close your eyes and imagine a scene from a movie that each track might conjure up.

This is our first album, a collection of work recorded between 1987 and 1994 in our home studio. We released it independently on cassettes.

In 1987, John and Paul conducted a one-off experiment. They recorded these songs in Paul's home studio. John provided vocals and wrote the lyrics. Paul handled the drum programming, synths, guitar, and bass. Influences include gothic, post-underground…

This is our first album, a collection of work recorded between 1987 and 1994 in our home studio. We released it independently on cassettes. This song is a John Cooper Clarke cover.

chill 808-laden track i made today, i hope you like it! uses 808 samples, renoise built-in instruments and samples, and other free to use samples.

Drugi deo tihe jeze, da se ne savijaju breze.

had to let some grief out in music. Using drums after a whole month of writing ambient seemed right. #REM March

A minimalist DAWless jam from when I first started making synthesiser music. Definitely a Volca Beats, Volca Bass and Volca Keys on there. The original trio. What simple days they were - such joy.

A DAWless jam from when I was first starting to make synthesiser music. Volcas in the house. I suspect a Volca Beats, Bass & Keys - the original trio. What joy. How simple things were back then.

A trip-hoppish meander into the realms of lo-fi and industrial music built around use of Behringer Neutron.

Come ever deeper into the sound. May the notes be your chariots and the rhythm your road. In music, the impressionist seeks to convey an idea or effect through a wash of sound rather than a strict formal structure. I can't play in the key…

A jam involving a Teenage Engineering POM-400, using internal sequencer, and also a POM-16 to add a second sequence, and then run through a Korg NTS-1 for some effects. Drums are a Behringer Edge with additional modulation provided by CV from…

Let your eyes focus, let your mind unwind... An ambient modular experiment.

My first live D&B. A one-take performance using 2 laptops fired by a Launchpad Mini and a Korg Nanokey 2 running the audio through a Roland SPD-SX for the FX. https://youtu.be/Iftr4AaLjNI?si=G2gch4H0Ar0o9xo1

Plant in a chair in a generous amount of light and feed until smiling.

Jammed on an Electribe mk2 with a nice triangle wave bass.

What can we make at the witching hour?

2 hard-assed drum machines with some synthesisers added on top for a bit of whoosh and musical progression.

Produced for the RPM Challenge 2026. A slow jam for those wishing to dance through treacle.

Recorded February 2026 This was originally part of my mono lo-fi RPM 2026 Album. This version is a stereo mix. I consider this to be the most accessible song on that album.

Recorded December 2025

Recorded November 2025 This is a re-working of a song I wrote in 1997.