The lead single from Palettes To Burn, featuring Vancouver vocalist Adaline.

This track started out from a Korean Restaurant sign that had letters missing, spelling Korean Aurant.

This track is one of my oldest, but I still like it.

not telling you what the song title means.

The russian sample was too good to pass up, I love when you hear the track come together in your head.

I came up with the initial rhythmic riff on my bass, then looped it to create the basis for this track. Then, I layered another "lead" bass track on top of that, added some percussion, and finally topped it off with an electric piano-ish sound…

This song is made up of all animal samples, besides the bass and drums. Video coming in the summer!

A theme song of sorts for me.

Nice flowing vocal track with the help of talented Michael Ackhurst.

Based on phone messages I received during a one year span, this track took a long time to complete, with many people adding awesome messages that needed to be in the song!

Second single off of Palettes to Burn, also featuring the lovely vocals of Vancouver artist Adaline.

Originally a band name my friend made up, this song took a life of it's own when Pim Boewens gave me his guitar parts.

Alfred Hitchcock has been a big influence on me through the years, easily one of the best directors ever.

A fun hip hop based track, one of the first tracks I ever did. The inspiration comes from Della Reese in Harlem Nights, when she fights Eddie Murphy. Classic.

Quick one, mad groovy. RPM #11.

A great remix done by Vancouver artist Calamalka. He shines a light on it from a totally different angle, and captures it with his own style.

This is the original version, the light to the dark of the other. The Max Ulis version ended up on my album, he did such a good job I couldn't pass it up.

Kind of a chillout, lullaby type tune. — Notes: I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.

soundtrack for a documentary.

An apocalyptic tale of what,s to come.

this is song is about all the times you make plans with someoneconstantly and they blow you off for no good reason like to sleep or play wow...lol it also gives a nod to the fireside bowl in our hometown chicago and how the neighbors stoped shows…

this is a song about zombies and zombie movies...this is also a rough demo version and its unfinished we are taking a different approach to recording it this time. if you are interested in seeing us live and live in or around chicago, look us…

This is just a blues progression that you have probably heard before. All instruments were played by Barry Morgan, and the song was mixed and mastered in his home studio.

A nice Spanish guitar piece composed and played by Barry Morgan. All instrumentation by Barry and mixed and mastered in his home studio.

A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.

This is an "unplugged" version of a song that features a nylon stringed acoustic guitar. All instruments played by Barry Morgan and mixed and mastered in his home studio.

This song displays some of Barry Morgan's work on the keys. Mixed and mastered in his home studio.

Some solo piano.

101 things you can do with guitar feedback.

The sound of a creaking door closing very, very slowly.

In memory of my dog, Pablo, who died a few years ago (no, he's not the dog in the photo - although he's buried not far from where I found that skeleton).

Lots of quiet layers. RPM #12.