This started out as an idea for a Big Freedia remix, and I did still make it into one afterwards. All of those crazy fills were edited together via ACID Pro, and other than the rhythm track the instrumentation consists of a distorted harmonica…

I wanted to rap over this, but got stuck when writing lyrics - I have vague plans to make an album or EP consisting of old instrumentals with new rhymes over them, so maybe the rap version will be ready for that.

One of a few tracks where I made use of a toy plastic guitar neck that emits a laser which you "strum" to play chords... So in all seriousness, I can say that I played air guitar on this album.

I was sorta trying to write a Mclusky song here - I wasn't exactly successful, but it was fun to try. All of the lyrics are sentences from the 37th page of different books I had lying around: See if you recognize anything from your favorite novel…

A harmonica improv, slowed down, played backwards and multi-tracked - I was thinking of something like My Bloody Valentine's "Touched". This and the next three song titles are all anagrams for the same phrase, but I'm going to be mysterious and…

While adding effects to a song, I accidentally put distortion on a leftover silent recording. I kind of liked the hum that resulted and made the rhythm track out of that.

or #8 for this years rpm

A couple of the stranger sections of this song resulted from accidentally pasting multiple parts to the wrong tracks (and thus giving them entirely different effects than intended). I often try to embrace "mistakes" as just weird new directions…

I came up with "Robot Pizza Militia" because I just wanted a title with the initials RPM, but oddly it did end up fitting the song.

I always like making these short little mood pieces. The instrumentation consisted of a beer bottle and a little bit of good ol' Powersockey, the cheap battery operated keyboard.

The backing track is mainly the "Chanticleer Hegemony" beat in reverse at a slower tempo and pitch-shifted samples of my earlier track "Harm". The lyrics are taken verbatim from a note that once landed in my driveway one windy day. The ending…

I sometimes use a random phrase generator to get song ideas. This time I got "fellow ghost".

This is the first track from Sarah Brown's self-titled EP.

This is the second track from Sarah Brown's self-titled EP.

This is the third track from Sarah Brown's self-titled EP. For the full version, please visit the online store at www.sarahbrownweb.com.

This is the fourth track from Sarah Brown's self-titled EP. For the full version please visit the online store at www.sarahbrownweb.com

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album. The titles of the pieces in album are follow each other in a certain order - see album description.

The is a song a wrote a long time ago, circa 1993, before I know how to write songs. Recorded 1999.

A pop song about on-lane dating. Inspired by a friend, not auto-biographical. Not one of my best.

Another really old song from the early 90s. My lyrics were very obtuse back then (or just plain nonsensical).

Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…

i'll take bizarre transitions for $500 alex this musical faux pas is best executed when doing an all nighter to finish RPM what is mood whiplash alex rpm 2012 #5

This one's about friend who was a heroin addict - and a camping trip. That's my memory of it. Written in 1999.

Not sure if can call myself young now, but I could when I wrote this!

This one is about new years eve 1998/1999, which was spend at a hippie festival called "confest".

A love song - not much else to say about this one.

This is just a solo jam with a delay pedal.

Sort of depressing this one, it's written about my best friends (former) girlfriend who sadly took her own life in 1999.

rpm 2012 #6

Words by Brent Kinder, Music by Jana Persson Additional musicians: Janne Hedlund - drums Hank Johnzon - banjo

Words and Music by Jana Persson Additional musicians: Janne Hedlund - drums

Words and Music by Jana Persson Additional musicians: Janne Hedlund - drums Hank Johnzon - banjo, gut string guitar

Words by Will Gough, Music by Jana Persson Additional musicians: Janne Hedlund - drums Hank Johnzon - pedal steel guitar, electric guitar

Words and Music by Jana Persson Additional musicians: Janne Hedlund - drums Johan Dereborn - bass guitar

Words by Brent Kinder, Music By Jana Persson Additional musicians: Janne Hedlund - drums

Words by Will Gough and Jana Persson, Music by Jana Persson Additional musicians: Janne Hedlund - drums Hank Johnzon - guitar solo Johan Dereborn - bass guitar

Words by Will Gough, Music by Jana Persson Additional Musicians: Janne Hedlund - drums Hank Johnzon - pedal steel guitar

Words by Brent Kinder and Jana Persson, Music by Jana Persson Additional musicians: Janne Hedlund - drums, backing vocals Hank Johnzon - lap steel, additional electric guitar

Words and Music by Jana Persson Additional musicians: Janne Hedlund - drums Hank Johnzon - pedal steel guitar