A great remix done by Vancouver artist Calamalka. He shines a light on it from a totally different angle, and captures it with his own style.

This is the original version, the light to the dark of the other. The Max Ulis version ended up on my album, he did such a good job I couldn't pass it up.

Kind of a chillout, lullaby type tune. — Notes: I think the shaker comes in too strong. I think the intro goes on for probably 1 or 2 more phrases than it should.

soundtrack for a documentary.

An apocalyptic tale of what,s to come.

this is song is about all the times you make plans with someoneconstantly and they blow you off for no good reason like to sleep or play wow...lol it also gives a nod to the fireside bowl in our hometown chicago and how the neighbors stoped shows…

this is a song about zombies and zombie movies...this is also a rough demo version and its unfinished we are taking a different approach to recording it this time. if you are interested in seeing us live and live in or around chicago, look us…

This is just a blues progression that you have probably heard before. All instruments were played by Barry Morgan, and the song was mixed and mastered in his home studio.

A nice Spanish guitar piece composed and played by Barry Morgan. All instrumentation by Barry and mixed and mastered in his home studio.

A jazz tune featuring flute, sax, and one slightly out of whack Fender. All instruments played by Barry Morgan and the song was mixed and mastered in his home studio.

This is an "unplugged" version of a song that features a nylon stringed acoustic guitar. All instruments played by Barry Morgan and mixed and mastered in his home studio.

This song displays some of Barry Morgan's work on the keys. Mixed and mastered in his home studio.

Some solo piano.

101 things you can do with guitar feedback.

The sound of a creaking door closing very, very slowly.

In memory of my dog, Pablo, who died a few years ago (no, he's not the dog in the photo - although he's buried not far from where I found that skeleton).

Written and Recorded: Feb 20, 2010 Details: Epiphone Les Paul (DADGAD & DADAAD/Capo III), Seymour Duncan Pickups, POD XT, EBow, Audacity...all fingers, no picks.

Written and Recorded: Feb 21, 2010 Details: Epiphone Les Paul (DADGBE - Capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.

Lots of quiet layers. RPM #12.

Recording from Viste, Randaberg december 2009.