This song went through multiple iterations before coming out like this. It was a great song to play live. Did anyone catch the tip of the hat to "Fire and Rain" at the very end of the song?

That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.

First take guitar part that I just liked the feeling of, which sounds a bit like a haunting version of Jeff Buckley's 'Hallelujah'.

Beat created from different strokes on an electric guitar, which is probably of no suprise. Pretty simple arrangement but a fairly strong melancholy-pop song.

The only song I ever wrote about an actual person I knew. She's heard it and she now sings all corny and gets the words wrong.

called this track 'dirty awakenings' because it sounds like dirty awakenings.

A ballad about the perils of life. Featuring Bugzee & Tragic

Uncle Bobo needs his keys back, and he has a reward for the first person who finds them!

Nupitor, the planet of love. A Sluk & Xenos collaboration.

Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980. Claudio lived in the USA between 1981 and 2004. He has released 7 CDs…

A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.

Another Blacksmith Lesson, this time with intro musics! This episode explains how to build a coal forge out of a plastic bucket and some cat litter. All of the written lessons, along with pictures to illustrate some of the lessons, can be found…

It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…

a song about a beautiful woman who loves guitars and being happy :D

Written and Recorded August 29, 2009 Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge. I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.

Completely done with my microKORG. The organ sound is a preset, but the rest of the tracks are customized programs.

I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on. If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…