Another "cursed video game soundtrack" piece.

The experiment here was to program a rhythm at a fairly slow tempo, then speed it up way too much.

Basically a drum-n-bass remix of my earlier song "Mike The Considerate Center For The Performing Arts".

Experimenting with echo and backwards effects.

Somewhat Residents-inspired. The rhythm is me breathing heavily and slapping my desk, run through a lot of reverb.

Originally my idea was to improvise half a conversation, then also improvise the other half as a different character - I ended up deciding just having half the conversation was funnier. Kinda unintentionally inspired by "Pollo Asado" by Ween.

For some of these tracks I was really thinking "what can I do to make this annoying to listen to?"

Experimenting with very short loops.

Man I was really into making these square-wave-sampling, dodgy bootleg 8-bit video game soundtrack pieces for a while.

I did a little "self-sampling" on this album - the cut up vocals were from my song "Nasty Asterisk". Later on I'd use the exact same backing track to cover "Baby Got Back" by Sir Mixalot, because I realized I'd inadvertently copied that bass-line.

I gave myself a rough guideline that most songs should be between 30 seconds and 2 minutes long - this was both because I didn't want the album to be much longer than 45 minutes and because I knew there were going to be certain days when I wouldn…

Created entirely with vocal samples.