5, 10, 15, and 20 edo on the same instrument at the same time.

16 edo plus poly rythmn 1/4, dotted 1/4, triplet 1/4

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…

"Ella": Dioses vagan en su morada eterna; Hombres tratan de alcanzar sus huellas Ella, ella no fue así, siempre supo que era única en la vida. Ella eterna en mi memoria Ella perfecta como un Dios, real como mujer. Niños…

"Tu me manques": He pasado el tiempo en este secundario amanecer Lejos de tu abrigo en un contemplativo y persistente Silencio Creo que dejaré todo Tu me manques Ha callado el viento y he escuchado mis sueños que anhelan tu ser…

"Síndrome": Hay algo como un síndrome de fe No escucho nada más que sus síntomas falsos. Debo aferrarme a lo que una vez brillo en solitario Porque esta enfermedad apaga y toma tu mente Hay algo como un síndrome de líderes falsos No…

spanish version, over the vocal melody created by Bethan Mathis :) "Náufrago" El barco "Vidas" ya zarpó, me alejó de la costa llamada "Libertad" por otros. En olas me acerqué a vagos horizontes Mudando piel y corazón. Pero el mundo…

"Callar": Ya no recuerdo la hora ni el día en que dije "soy" Han borrado sentencias para callar mi voz Dentro de todo, ellos lo saben, pero prefieren callar Ya no recuerdo el lugar, donde descubrí que el mundo quedaba abajo, si entend…

"Cí­rculo": Subo peldaños queriendo escapar De este cÃírculo falso: Nacer, crecer, entender y dejar... Luego muerte verás. Te han enseñado a nunca cuestionar Te ocultaron caminos. Te atemorizaron siempre con un castigo infernal…

I have tried to make a literal representation of this from Mat Cooper: "I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…