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This is my acoustic version of How Many Licks by Lil Kim.
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Mondo Boss raps about his feelings after meeting a new girl that finally got him to change his ways. A new electro-soul classic
Lyrics:
I used to take out all my girls
To the place they wanna be
Always goin the Chili's
Eatin' food wit me
I knew…
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I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.
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Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.
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The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…
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I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.
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Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.
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Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.
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I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…
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Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.
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This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.
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I was pretty much trying to be The Field with this one.
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Jesus looks at why the Jews and Pilate rejected Jesus as King
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RPM 2009 entry. Has been described as sounding like Satan's Orchestra tuning up...
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burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…
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I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.
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More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.
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