Oh, my holy noodles. *Another* bloody 12-bar in E, and what's worse, it's a *slow* blues. Every guitar player who deems it appropriate to play a slow blues in E, in this the 21st, should be roasted like a head of garlic, smeared across a toasted…

a piece that's a bit older, and one of my first attempts at using a music synth

recorded in 2005 Joe Silence - guitars, beats, synths, vocals Mark Cook - bass bridge vocal by Tom Higgins. this is no longer the final mix.

Recorded in 2006. ambient, Ambien, muy bien. *opens window and takes deep breath* Backwards electric piano through a ring modulator and an echo, then processed to death in WaveLab.

Recorded in 2008. Fuzz guitar through an old DDL into a pitch transposer, recorded in one pass with no edits or overdubs. Just a minute noodle doodle, really, but it's gonna go somewhere. Honest!

Recorded in 2005. The keyboard sound in the second half is a backwards electric piano processed through a triggered filter (kind of like a Mutron III). Muted the vocals cos I'm not too pleased with the lyrics or performance.

Love sweet love plain and simple

Recorded in 2006. Joe Silence - guitars, beats, vocals Mark Cook - fretless and 12-string basses Originally written by Russell Cowser. New arrangement and additional material by Joe Blair.

He loves you.............

A little bit to dance to on a cold Friday night in november

slow beginning

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

an improvisation.

like should i mix this one with the last one to see what I get you know in the track for track form :>>

this track is part of an album i'm writing, rpm-style, for my wife for the winter holidays

from the album "the Hardest Blow" featuring vocals & samples from Barney of Vivian Circle I’m just singing for the war, inside me Four thousand soldiers dead, maybe more, maybe more It’s hard to read between the lines, so blurry now…

I guess I try to write such sketches in order to behold and hold a sense of the Great Goal, ...that which quietly 'visits' us, where we open- where we allow it,... ...all the way from the future Resolution.