alonetone radio: Latest
Latest
Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.
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Yes, I am dark sometimes. Aren't we all? Don't listen to closely, just turn this one up and lose yourself in the tones.
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So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…
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So I find this riff on a older cassette of me noodling around. I liked the riff, and decided to do a song with it, semi-dronish, which really means literally no changes, just the riff with some overdubs for color. It was also an exercise is subtle…
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A chance gtr line while I was checking recording levels turned into insta-song. This one came together in about an hour.
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Cover of Joe Satriani's "A Love Eternal" from Super Colosssal.
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Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…
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The gtr came first, then the vox, then the bass. Bass players tend to really like this song.
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This was supposed to be a lot heavier and darker, but it sounded totally cheesy. I lightened it up, added piano and did about 11 different versions of the vocals for this, each one with completely different lyrics and melodies. The end part was…
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This was supposed to be keyboard only, then the gtr part came and just kind of took it over. You should hear the original demo, it is very, very different. I happen to really like this song though, and for some reason love my little keys solo…
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I was lost for a chorus, and a title. Then...Bruce.
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Cover of the Glen Hansard track from the movie "Once".
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from Live at KXCI Tucson, AZ studio session:
When I was in the 7th grade, I used to skip school on Wednesday mornings so that I could watch the Nat King Cole show on PBS. I was mesmerized by his music. I could feel his vocal influence as I wrote…
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The events in this song took place on and around an interstate outside of Detroit, MI named Seven Mile Highway.
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