I have to apologize in advance for bars 31-37, the section right after the vocal. The whole song is playing with polyrhythms. One guitar (and the bass and drums) is playing in 4/4 time and the other guitar is playing almost the same thing in…

Not too much happening here. I like the guitarmonies. Somehow that always sounds better with a lot of fuzz. There are a couple of places where tracks play backwards. The second verse has a copy of one of the voices chopped up and reversed…

This one isn't polyrhythms, but it wants to be. I actually took a four beat phrase and occasionally had one guitar shuffle it so beat one from guitar #1 is beat two for guitar #2. Simple. Outside of that, there's nothing all that special going…

A simple little guitar/drum loop that is just an excuse to layer big fuzzy guitar parts in harmony. I added quite a bit of soup onto the harmonies too, and put some backward vocals... just for trippy fun. The cleanish guitar is a Gibson ES…

I've done an RPM Challenge style album in a month (10 song or 35 minutes) every month in 2020 (except January). I told myself I was going to take October off and just work on re-recording old songs. That plan didn't last long and eventually…

I really wish I could sing. This one was written for the 2014 50/90. I remember it clearly. I set up with the intention of working on something else but plugged in my guitar and played this without thinking about it. Well, I guess I was…

Not sure about this one. This was written as part of the 2012 RPM Challenge. I had tried RPM five times prior to 2012 and had failed miserably every time. About a week into February that year I had actually decided to call RPM quits in general…

I drove past Canobie Lake in Salem, NH the other day and I suddenly had this title for the RPM project pop into my head. Showdown at Canobie Lake Park. Think of it as 3:00 High only set in front of an awesome wooden roller coaster.

Song five out of 15 for RPM Challenge and FAWM. I can't play keyboards to save my life so when I try to write on one I usually just end up with music that is 100% rhythm orientated. This is an example of that.

Not sure about this one. This was written as part of the 2012 RPM Challenge. I had tried RPM five times prior to 2012 and had failed miserably every time. About a week into February that year I had actually decided to call RPM quits in general…