When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like. The initial…

I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds. I spent many hours going through Reaktor ensembles I've downloaded searching…

I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos. I have…

The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry). I used Yotskry standalone…

This was a piece I made with Reichatron back in January and, at the time, didn't upload. I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?" Listening to it again I enjoy the way it drifts in…

I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano. I think there is the kernel of something good in it (and I intend to explore that later) but the…

Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano. I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…

Once again the source material is a snippet of beautiful piano from [Sudara](http://alonetone.com/sudara) only this time I fed it to a new Reaktor instrument that I am working on call Tukuramu. Okay so tukuramu does not mean earth-quake but…

Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.

This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period. Featuring an except from "The Orton Diaries" edited by John Lahr.