One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…

Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor. In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…

This is my second experiment with "song form". In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end. Although I'm not sure if the verse is supposed to build into the…

This is a track I've been working on for quite a while so I am glad to finally have it out of my head. I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…

A lone piano note - middle C - deconstructed with Reaktor/Tukuramu and then reconstructed with MetaSynth.

With Big Time Operator, who originally uploaded his awesome music with the offer that anyone can add vocals...too good to miss! Love this music, and had loads of fun wailing. Thanks Chris! Played on BBC Radio Introducing. :) http://alonetone…

This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.

Including the following sample from Freesound.com: http://www.freesound.org/people/sleep/sounds/1375/ deep it can be stowed away it can be remembered it can't be thrown away when it's deep hurt it can be cherished it can be channelled…

This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period. Featuring an except from "The Orton Diaries" edited by John Lahr.

Ghosts do not speak.