I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part. So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse. The theme I chose…

I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part. So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse. The theme I chose…

I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds. I spent many hours going through Reaktor ensembles I've downloaded searching…

I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos. I have…

The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry). I used Yotskry standalone…

This was a piece I made with Reichatron back in January and, at the time, didn't upload. I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?" Listening to it again I enjoy the way it drifts in…

I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano. I think there is the kernel of something good in it (and I intend to explore that later) but the…

Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through. I was…

Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through. I was…

I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano. I think there is the kernel of something good in it (and I intend to explore that later) but the…