So, I did multiple demos of this in my bathroom (for the echo) in the days before recording it. It is fun to play on acoustic. I record the real thing and it just screamed string quartet (or the Fox version of said quartet) I had never done strings…

Yes, I am dark sometimes. Aren't we all? Don't listen to closely, just turn this one up and lose yourself in the tones.

Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…

I decided to tap into my latent '80s Depeche Mode subconscious, and this bouncy tune popped out! Ian Beardsley heard an earlier version of this and immediately detected Spanish flamenco hidden in the techno dance chords. I opened up the stage…

This is a collaboration between Endicott Road and Sister Savage. Hope you enjoy it. ER