467 tracks by trawnajim

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Roland SE-02 pattern that is rhythmic but with an irregular melodic element. Created for Sound-In for 18-22/9/2019.
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Greatly expanded micro-snippet from a mono recording of interfering radios, triple-tracked with off-sets on two tracks. Submitted to Sound-In for 12-14/9/2019.
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Roland SE-02 with sequencer running, controlled by Casio DH-100 digital horn. Submitted to Soind-In for 12-14/9/2019.
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Roland SE-02 controlled by Casio DH-1oo digital horn. Not sure if the sequencer was running on this one or not; no step lights, but it sounds like something is happening. Submitted to Sound-In for 12-14'9/2019.
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Roland SE-02. No Casio control this time. just knob-twiddling. Submitted to Sound-In for 12-14/9/2019.
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One of three "Tunes the Aliens Taught Me", submitted to Sound-In for 5-7/9/2019. Roland SE-02 with Casio DH-100 digital horn.
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One of three "Tunes the Aliens Taught Me", submitted to Sound-In for 5-7/9/2019. Roland SE-02 with Casio DH-100 digital horn.
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One of three "Tunes the Aliens Taught Me", submitted to Sound-In for 5-7/9/2019. Roland SE-02 with Casio DH-100 digital horn.
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Trombaxophone (tenor sax with trombone mouthpiece). Submission for Sound-In, 28-31/8/2019
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One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
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One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
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One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
Uploaded
trawnajim's avatar
One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
Uploaded
trawnajim's avatar
One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
Uploaded
trawnajim's avatar
One of six pieces created by placing contact mics under either side of the bridge of a cümbüş (Turkish stringed instrument a bit like a banjo). One side came from a Zoom RFX300 with a feedback loop, the other went to a Zoom H4n digital recorder…
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From six years ago, here's my feeble attempt at recreating a minimalist classic using an EHX Stereo Memory Man. Just posting here so it can be linked in an FB comment.
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Cobbled together from four short field recordings made at the shores of Lake Ontario on the east side of Toronto. Some were reversed, one pitch shifted, and all were stretched. The title is a modification of Claude Vivier's great work Pulau Dewata…
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Created using feedback between a landline and mobile phone placed in close proximity. No post-processing apart from fade in/out and normalization. Submitted to Sound-In for 15-18/8/2019.
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Tin whistle and multiple effects. Submitted to Sound-In for Aug. 7-10, 2019.
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Tin whistle through a variety of effects. Submission to Sound-In for 7-10/8/2019.
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