Trombaxophone* through Stereo Memory Man and Zoom RFX-300. Excerpt from a live performance on Nov. 17, 2018. Submitted to Sound-In for Nov. 22-24, 2018. *tenor saxophone played using a trombone mouthpiece.

Nagoya Harp run through Lexicon LXP-5. Submitted to Sound-In for Nov. 15-17, 2018.

Nagoya Harp run through Lexicon LXP-5. Submitted to Sound-In for Nov. 15-17, 2018.

Voice modified by Lexicon LXP-5. Submitted to Sound-In, 25-27 Nov., 2018

Voice modified by Lexicon LXP-5. Submitted to Sound-In, 25-27 Nov., 2018

Something that just happened, in a sense. I was setting up a system to test the picking up of interfering radio receivers by an electric guitar, but before getting the radios involved I wanted to check that the guitar was set up ok. A few notes…

Second modified version of I Will Check With My Boss, stretched three times but with different sample size. Submitted for Sound-In, Oct. 18-20, 2018.

First modified version of I Will Check With My Boss, stretched three times. Submitted for Sound-In, Oct. 18-20, 2018.

This is the original file, cleaned up with some noise reduction, of a phone message from an obvious pocket-dial. I liked the heavily garbled sound rendering most of it unintelligible. The title, and those of the two modified versions, are taken…

One of three pieces created for Sound-In, Oct. 11-13, 2018 on the theme of "birds". No actual birds were harmed - or even used - in making these sounds; they all came from a clarinet originally and were then processed via a combination of EHX…

One of three pieces created for Sound-In, Oct. 11-13, 2018 on the theme of "birds". No actual birds were harmed - or even used - in making these sounds; they all came from a clarinet originally and were then processed via a combination of EHX…

One of three pieces created for Sound-In, Oct. 11-13, 2018 on the theme of "birds". No actual birds were harmed - or even used - in making these sounds; they all came from a clarinet originally and were then processed via a combination of EHX…

All-acoustic recording with no electronic processing. Recorded for Sound-In Oct. 4-6, 2018. The theme for that week was "Mystery", so in that spirit, I will leave the sound sources unnamed.

All-acoustic recording with no electronic processing. Recorded for Sound-In Oct. 4-6, 2018. The theme for that week was "Mystery", so in that spirit, I will leave the sound sources unnamed.

All-acoustic recording with no electronic processing. Recorded for Sound-In Oct. 4-6, 2018. The theme for that week was "Mystery", so in that spirit, I will leave the sound sources unnamed.

All-acoustic recording with no electronic processing. Recorded for Sound-In Oct. 4-6, 2018. The theme for that week was "Mystery", so in that spirit, I will leave the sound sources unnamed.

One of four pieces, played on toy piano and affected by EHX Stereo Memory Man and Zoom RFX-300. Created for Sound-In special event of Sept. 6 - 8, 2018 commemorating the life of late member Steve Moshier whose name has been distorted for the titles.

One of four pieces, played on toy piano and affected by EHX Stereo Memory Man and Zoom RFX-300. Created for Sound-In special event of Sept. 6 - 8, 2018 commemorating the life of late member Steve Moshier whose name has been distorted for the titles.

One of four pieces, played on toy piano and affected by EHX Stereo Memory Man and Zoom RFX-300. Created for Sound-In special event of Sept. 6 - 8, 2018 commemorating the life of late member Steve Moshier whose name has been distorted for the titles.

One of four pieces, played on toy piano and affected by EHX Stereo Memory Man and Zoom RFX-300. Created for Sound-In special event of Sept. 6 - 8, 2018 commemorating the life of late member Steve Moshier whose name has been distorted for the titles.