Time-stretched clarinet. Contribution for Improv Friday, 5/Nov./2017. This one was also pitch shifted and reversed.

Time-stretched clarinet. Contribution for Improv Friday, 5/Nov./2017

Solo tenor sax, for the 20/10/2017 edition of Improv Fridays

The instrument used is obvious from the title, but how it sounds the way it does I will leave as a mystery. Submitted to the Oct. 12-14, 2017 edition of Sound In.

Submitted to Sound-In/Improv Friday on 20171006. Electric guitar with quarter-tone frets run through Zoom RFX300 and EXH Stereo Memory Man.

Trombone. Submitted to Sound-In, 20170930

Trombone. Submitted to Sound-In, 20170930

Part of a tryptic of pieces (along with Cardinal's In and Bat Cave) based around a sound created by a feedback loop on a Zoom RFX-300 mulit-effects unit.

Part of a tryptic of pieces (along with Howler Monkey Hootnanny and Bat Cave) based around a sound created by a feedback loop on a Zoom RFX-300 mulit-effects unit.

Part of a tryptic of pieces (along with Cardinal's In and Howler Monkey Hootnanny) based around a sound created by a feedback loop on a Zoom RFX-300 mulit-effects unit.

Forty seconds of a thunderclap stretched 10x. Contribution to Sound In for Sept. 14-16, 2017.

Recording of robin song stretched five times. Contribution to Sound In for Sept. 14-16, 2017.

Deep voice, morning after a long night's drinking. Contribution to Sound In for Sept. 14-16, 2017.

Mash-up with Bill Newbold's piece Ragnarok - source A. Tenor sax over loudspeaker playback of Bill's piece. Contribution to Sound In for Sept. 14-16, 2017.

Solo tenor sax improvisation. Contribution to Sound In for Sept. 14-16, 2017.

Another tenor sax solo for Sound In, Sep. 1-3, 2017

Duet with Ron McFarlan - him on sequencer and Moog Minotaur, me on Casio DH-100 and Creamware MiniMax. Submitted to Neal D. Retke's "Two Halves Vol. II" compilation, and also to the Sound In for Sep. 1-3, 2017.

Tenor sax improv recorded for the Sep. 1-3, 2017 Sound In.

Clarinet with tape delay (Time Lag Accumulator). With luck, this will end up as part of a longer piece entitled Mommy Toobad and the Bantom Fiend, in honour of Terry Riley.

Experiment with extremely close-mic'd clarinet.