Abstract piece utilizing machine and human sounds processed through turntables with other inserts.

A better mix. I pumped up the trumpet, bass and guitar. It was just annoyingly low. Thanks again to Benny for the trumpet parts.

Sudara recorded some hang drum and glu chopped it up. This is from this morning's remix in underwear session. Cello notes are from the free philharmonic orchestra pack online.

written, recorded, and poorly mixed in one hour. Instrumentation: acoustic guitar, fretless bass, 2 tablas, tambourine, rattle, and human body for snapping, clapping, and vocals.

From today's one hour session: acoustic guitar, fretless electric bass, tabla, tambourine, and the synthesque sound is the electric guitar played with a violin bow

A rewrite and expansion of one of my original songs, from a time when I was distrustful of things like drum samples and dynamics. ;P I don't mind discouraging those ninety-nine out of a hundred listeners with noisy glitchiness if it suits the…

Written on a temporary absence from the internet, this is me retreating into my shell (and taking half damage.)

(5 of 5 in "Tree Haus" cycle) The conclusion of my mid-album epic. The last two minutes or so were highly influenced by Muse - years ago I spent a lot of time listening to their album, "The Origin of Symmetry" and it has affected both my singing…

(4 of 5 in "Tree Haus" cycle) That's an ASCII picture of a Kuriboh, those lovable, useless fluffballs from Yu-Gi-Oh. I don't watch the show but I played some of the games for the GBA and the things's just so cute.

(3 of 5 of "Tree Haus" cycle) This was meant to be a 30 second interlude but grew into a song of its own; now I find it one of the two "perfect" tracks on the album.