http://chrisvaisvil.com/wp-content/uploads/2011/06/box_harmonics.jpg I used Paul’s Extreme Stretch (PES) to take a hammer dulcimer + violin improvisation and divide it into seven streams based on just intonation relationships to A at 55 Hz…

Year: 2010 Album: Strange Danger Artist's description: Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair. Contributors: blowing leaves by FM i like to walk on a day like…

the collaboration team Norm percussion Reefwalker bass and voices Chris 12 string and vocal john lennon wrote it - coda by paul

I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.

Last one to upload today (probably) Year: 1977 Album: Classical Clones Artist's description: Something I found on tape - the best of the 6 pieces. Me preforming a Villa Lobos piece about 1977 - a recording made while preparing for a recital…

Original Artist's description: A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?

In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.

Hammer Dulcimer in Harmonic Series Tuning, processed into 7 streams. Field recording, processed. Details here http://chrisvaisvil.com/?p=911

Fulfilling a request by Acid The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.

a totally spontaneous improvisation Debbie and I made with the violin and hammer dulcimer tuned to harmonic series starting at G.

One could use this to compare the changes I made to accommodate the change in tuning because this is the Centaur tuned piece but I changed the master tuning back to "standard" 12 equal.

Well, I should give some background. Sometimes, for me, the difference in tunings are hard to discern - I don't have perfect or even good relative pitch discrimination. So I can get fooled. The Prelude for a Centaur tuned piano was actually composed…

Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996 Can't Stop Myself the thoughts they in my head spinning around the thoughts they eat my head and rip me down they want me to do…

This is a combination of field recording, slicing up a guitar performance into loops, using loops and effects that came with Sonar X1 in Sonar's matrix view with a bit of editing of the matrix performance.

Full picture of the guitarron body - it sounded great - nicely deep. The guitarron is fretless with a very short neck which reminds me of a giant Oud - the wikipedia article will give you an idea of just how huge this thing really is…

I plugged my Fender Mustang directly into the Zoom H2 and monitored with head phones while sitting on my bed and played around. This is a compressed version of one of the things I did. I've been pretty sick the past few days but I needed to…

http://en.wikipedia.org/wiki/Domenico_Scarlatti Scalatti's K030 in 3 piece Jazz band format (bass, electric piano, drums) in 12 equal.