a very simple GR-20 Composition in "Blue" temperament

details here if you want them http://chrisvaisvil.com/?p=350

hollywood strings and Requiem and Kontakt 4 - improv edited to fix notes and add percs

This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwell”. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…

having to go to bed when I feel like jammin :-( one side is GR-20 bass - other is Fender Mustang

I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning. I hope you don't find this too…

Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…

an improvisation.

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

In the time honored tradition of setting Bible text to music Norm Harris reads a passage from Exodus, King James version and provides percussion against a bowed bass guitar, 3 tracks of fretless guitar in feedback mode, trap set, orchestral…

For improvfriday I recorded me improvising on my wife's seagull acoustic on a zoom H-2

A world premier albeit a bit noisy - Gandhi ferret snoring.

This piece is part of a review of John O'Sullivan's book The Mathematics of Music. You can read part one here. http://chrisvaisvil.com/?p=317

This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…

damn.... there it goes.

an improvisation with Kontakt's morphing vowel choir

This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20

this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.

This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.