Transient texture experiment; also reverb envelopes. RPM number 10.

RPM number nine. Technically this is in 11/4 and therefore only 32 bars long.

Or, Starman Gets Laid. Eighth piece for RPM.

Noise experiment. Seventh piece for RPM.

My sixth piece for RPM. Composed on the line between Lydian and Locrian. Also, the beat's never quite where the meter is.

My fifth piece for RPM. Mad funky. Extra goofy.

My fourth piece for RPM. 'Twould definitely benefit from live instruments.

Third piece for RPM. Reminds me of Super Metroid.

Second piece for RPM. This is my RPM preferred track!

First track for RPM.

Serial joke of a piece made for a music theory assignment in 2007.

Uses the synth and delay path from Magnanimous.

A music theory assignment on collections and modal changes.

Circus music I composed for a poi performance in fall 2008. I was Lucifer Ignacious Johnson, the hypersexual and psychopathic son of the circus leaders.

Grew out of Love Me; uses the same synth patches and f/x for the most part. It's mastered through the Blood Overdrive plug-in in FL Studio.

Composed all in one sitting at about 4am in January 08 when I was feeling particularly horrible about a breakup. This one has a video I filmed (mostly on the campus of George Mason University in Fairfax, VA) while walking a few miles at night…

January 08, all at once, to prepare for a concert I gave at Olin College.

Grew out of Unity; uses the same two main synths. Kept on going and going.

Composed in two chunks in August 07 and October 08. This was part of my senior recital at Oberlin in April 2009.

This is apparently how I do dance music.