Squarp Pyramid, Moog Mother 32, and reverb. Lot's of reverb. Almost exclusively reverb, if I'm to be honest.

Pads by Matrixbrute, pings and pongs by Moog Mother 32, mixing, delay and reverb by Bluebox, grains FX by KaossPad 3, pads sequenced and randomized by Squarp Pyramid. Patches, some keys and knob fiddling by me

Squarp Pyramid, Moog Mother 32, and reverb. Lot's of reverb. Almost exclusively reverb, if I'm to be honest.

Squarp Pyramid, Moog Mother 32, and reverb. Lot's of reverb. Almost exclusively reverb, if I'm to be honest.

Lyrically it's about the time I had a 'proper' job and how (despite the fact that I liked my immediate team and my role) I could not adapt to the nonsense involved in climbing the greasy pole in a corporate world. Initially I wasn't sure about…

Experiment, on the same tuning as the G scape track. There's no much more interest here except it shows more of what madness lies (very nearby) beneath the lyra's surface

Tuned the lyra to a G ionian scale and tried to make something actually harmonic, like, with chords and what not. There's some II-V-I, and IV-V-I there and all. And.. then there's the lyra, doing what it does best.

This is a single mono synth, in one take, doing everything at the same time (plus some external effects, also recorded live). Just an experiment, first jam on the instrument, so it's a bit poor, but promising, IMO. (EDIT: eq-d out the worst…

Pads by Matrixbrute, pings and pongs by Moog Mother 32, mixing, delay and reverb by Bluebox, grains FX by KaossPad 3, pads sequenced and randomized by Squarp Pyramid. Patches, some keys and knob fiddling by me