For this I wanted to create some longing sounding atmosphere. To create the (somewhat annoying) guitar part in the second half I used an ebow. " you stand a long time at the door observe the lighting on the floor you are not welcome anymore no…

For this I wanted to create some longing sounding atmosphere. To create the (somewhat annoying) guitar part in the second half I used an ebow. " you stand a long time at the door observe the lighting on the floor you are not welcome anymore no…

This is my english version of Heysátan by Sigur Rós. It's not a direct translation but it's in principle the same song. I know the guitar is a bit out of tune. The capo messed it up. Sorry for that.

I made a song out of the fable "The Boy and the Schoolmaster" by Jean De La Fontaine, that french writer from the 17th century. And here's the story: " A boy, that frolicked on the banks of Seine, Fell in, and would have found a watery grave…

For this I wanted to create some longing sounding atmosphere. To create the (somewhat annoying) guitar part in the second half I used an ebow. " you stand a long time at the door observe the lighting on the floor you are not welcome anymore no…

It had been a semi serious piano piece for many years, but then I recorded it for a class project and started ad-libbing vocals. And it turned into the goofiness you hear in the second part.

It had been a semi serious piano piece for many years, but then I recorded it for a class project and started ad-libbing vocals. And it turned into the goofiness you hear in the second part.

Welcome to hail mary pass #1. There are finished lyrics, but I hit a brick wall trying to pick instruments. Knowing that my time the next day would be severely limited, I decided to go for my so-called hail mary pass in order to get the song…