From the root D, as the picked notes are D, F, G and B....
Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes
Tone - Semi - Semi - Tone - Semi - Semi - Tone
So you get from C
C - D - D# - E - F# - G - Ab - Bb
Why Rush - well (Tone - semi - semi - tone = 2112) ;-)
that's damned interesting...thinking about riffs mathematically. Makes sense. As for the last part. I'm a bit rusty in that department lately too.
root, minor third, fourth, and sixth for what? and what do u mean ON DFGB?
Well for a start I cocked up in the description ;-) the clean part is basically
0 5 3 0 0 0
Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it...
Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)
The older edges seem fine (the 91 Rad has one and its solid) but I've heard a lot of bad press from the 97 ones on - which gels to what I found personally. I will get a Sabre and a Power at some stage cause the 540's are pretty lovely. Finish an inch thick - you can't kill em!
The HM has a real FR - but not the Low Pro which is my personal fave
I'm an 80's early 90's Washy fan - some of the high end KC's and MG's are real nice and are pretty cheap these days ;) Slap in a SD and you're laughing!
http://c2.ac-images.myspacecdn.com/images02/82/l_eacb734333e54b0fa7f77dc90ac20829.png
Is the extended family ;-) - Mostly Washburns - tho I have (and lust after another) a '91 540 Radius which is absolutely sweet
This song started off just on bass and was saved in demo form as "bass led", as in led by the bass. When I needed titles for all the album tracks, I ended up taking "led" and making it "LED"--light-emitting diode.
What happens when you use a Sustainer on clean sounds...? You end up with a very vocal sound, which when combined with dissonance leads to the choirs of hell......
Comments on adamrykala's stuff
Kick Ass man!
Great track mate very cool.
Much appreciated
What a huge arrangement. Nice job.
Thanks
FN Slammin' man. Excellent guitar work as usual.
Heavy stuff man! Like it!
Thanks for the feedback :-) as you can tell I'm still learning this digital recording lark :-) will have a look at this Much appreciated Adam
Musically this is freaking awesome, but personally, I'd tone down the compression a little bit.
Thanks ;-)
Awesome!
Possibly - I shall have to look ;-)
I think this is D Dorian or D minor no? Cool guitar either way :) ~Geas
From the root D, as the picked notes are D, F, G and B.... Sometimes interesting stuff occurs when you just plug in some numbers. For example, I sometimes play around with what I call the Rush Scale where the scale goes Tone - Semi - Semi - Tone - Semi - Semi - Tone So you get from C C - D - D# - E - F# - G - Ab - Bb Why Rush - well (Tone - semi - semi - tone = 2112) ;-)
that's damned interesting...thinking about riffs mathematically. Makes sense. As for the last part. I'm a bit rusty in that department lately too. root, minor third, fourth, and sixth for what? and what do u mean ON DFGB?
Well for a start I cocked up in the description ;-) the clean part is basically 0 5 3 0 0 0 Picked on the A,D,G,B strings. Simple motif, and one thats been bugging me for a while. So its basically on D,F,G,B.... I sometimes tend to think mathematically about riffs and occasionally something unusual comes out of it... Whats that root,minor third, fourth, sixth? My theory knowledge isn't awesome, I'm ashamed to say ;-)
pretty tight song. What do u mean about the guitar riff?
Yeah, I was in an odd mood. I'm trying to back to the 'less is more' mentality but its hard going...!
That is weird, but in a good way! Nice stuff man!
Thanks!!
Comments made by adamrykala
Thats makes two of us ;--) Thanks for the feedback - much appreciated A
Thanks... I think I'm just trying to avoid changing the battery in my car ;-)
And slowly it turns to rain.... ;(
Thank you! I find the falling of snow peaceful and tranquil ;-)
The older edges seem fine (the 91 Rad has one and its solid) but I've heard a lot of bad press from the 97 ones on - which gels to what I found personally. I will get a Sabre and a Power at some stage cause the 540's are pretty lovely. Finish an inch thick - you can't kill em! The HM has a real FR - but not the Low Pro which is my personal fave
I'm an 80's early 90's Washy fan - some of the high end KC's and MG's are real nice and are pretty cheap these days ;) Slap in a SD and you're laughing!
http://c2.ac-images.myspacecdn.com/images02/82/l_eacb734333e54b0fa7f77dc90ac20829.png Is the extended family ;-) - Mostly Washburns - tho I have (and lust after another) a '91 540 Radius which is absolutely sweet
Thank you for the nice comments Johhny - appreciate the feedback!
Great edgy feel
Nice atmospheric intro with great tone...
Thanks for the feedbaxck SMW!!
I love the way you use the spaces ... spacious yet full
This is awesome through headphones - good use of space..... just enough going on to make you lose yourself in it!
Very TSO in feel to me in places.... great stuff
I'll have to get another seven string at some stage. They've been a bit overused but sometimes they can be so cool to experiment with! Thanks!
I think that would be cool :o)
I was in a very doomy band at the time and this was a song that never made the cut when the band split...
Yeah - I love the Sustainer - its real lazy guitar playing then.... I dub this my 'Theme for an imaginary horror film' ;-)
Yep - live into a computer in the rehearsal room.. we're in the songwriting-like-hell phase trying to get gig ready ;-)
They're recorded live into a Mac with minimal processing... we're just trying to get out there!