I'm so happy to learn that you plan to take a look at the originals, c}{imps! I'm just here trying to honor my favorite songs and it's a true compliment if I can do well enough to make someone want to hear the "real" version. (-:
The song is about a recursive process of practicing and returning again and again. Through practice and concentration, time seems to slow down to the point where intentional action becomes easier and thus more natural. I think of the example…
A menacing vibe to parts of this one and yet there is some rays of hope that shine through every once in awhile. Quite epic. Makes me think of some of the current events that have been going on in my country recently. Excellent work here, Steve!
I definitely tried to go for a natural approach and that has its pros and cons. There are a few word salads in this song that I stumbled through but at least it's authentic and authenticity was key with this one. Thanks, as always, for listening and providing the kind feedback, Steve!
Thanks, as always for listening and for the kind feedback, Steve! It's kind of scary to strip everything away and really expose one's voice and playing. So it's kind of a relief that what I did here still turned out sounding okay.
Fun stuff, Steve! I love the speaker rattling bass and the crisp drum sound you got going on here. I'm tempted to craft some lyrics and melodies to this one, once I finish moving.
Thanks, Steve! I tried to go real lo fi on this one -- no overdubs. I figured I was due for some optimism in my song choices after recording all of Beck's Sea Change.
You definitely did a great job capturing Buckethead's propensity to mix in improv with more structured songs (in this case, "Jowls"). It would be super cool to hear you try out "Scraps," should you feel the desire to give another Buck song a go: https://www.youtube.com/watch?v=XvUGTmaKWTg
I felt downright awful as I was recording this song, "Already Dead," and "Side of the Road," so maybe my state of mind and body at the time added an additional charge to these songs? Either way, I'm glad you enjoyed them and I appreciate your ongoing encouragement, Steve!
Inspired by a large stone I saw in the Ortspark in Munich, which somebody had carefully engraved with the name Mabel.
No loops used this time, all virtual instruments played by me. Cymbal, guitar, acoustic guitar, violin.
A thoughtfully constructed and genuinely performed song, Steve. I particularly appreciate that way the violin and acoustic guitar interweave throughout. Nice job!
I'm glad that my recent run of Beck songs resonates with you, Steve! There's a therapeutic quality to them and I think that aspect manifests in the way I translate Beck's vocals. It's a nice bonus that it's somehow enjoyable for others, such as you, to listen to.
As my old Algebra teacher used to say: Keep It Simple, Stupid! I've found that some of the best songs are the most simple. Glad to hear that this approach has translated well to your ears, Steve. Thanks, as always, for listening.
Indeed, the chord changes were sometimes a bit tricky, but I think I managed to practice them well enough to get a finished product out there without too much trouble. Thanks, as always, for the kind feedback, Steve!
Love the funky bass in this one, Steve! My only "complaint" (if you want to call it that) is that I wish it were a little longer. That said, what you've made here sticks in the listener's mind far longer than its 1 and half minute run time might suggest, so I can see how one could argue the length is perfect.
Spot on insights, Steve! I think the author of the song was drawing on Thomas Mann's "Magic Mountain," particularly its meditation on the subjective nature of time. For example, time sometimes can seem to stand still when spending time with those we hold most dear.
Vs and Js
are difficult
Don't you know
who's W?
Can't you see?
I'm in the dark
Palindrome
Misses the Mark
CHORUS:
Lost in translation
from a different nation
So confused at the station
when you're on vacation
Now you're in a…
Thanks for listening and for your feedback, @TheProods. Calling this a Peanut Butter Cup is a good summation of my collaborations with DoktorDoktor. From a distance you might think we wouldn't be compatible, but, once you get past any initial reservations, you realize we make a surprisingly good combination, haha!
Comments on Tom's stuff
I'm so happy to learn that you plan to take a look at the originals, c}{imps! I'm just here trying to honor my favorite songs and it's a true compliment if I can do well enough to make someone want to hear the "real" version. (-:
enjoyed your takes. havent heard the orinals, am inspired to listen to them now
good job tom
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Calm and relaxing, I like the emotional feel to it. Very nice.
This would make for a dramatic video game soundtrack.
Work on a guitar a little and be great!
Thanks for the encouraging words, Tess! Authenticity is definitely what I'm going for with these songs.
Haunting...authentic.
@SisterSavage: As always, thank you for listening and thank you for your kind words, Tess!
You have one very cool tone. Guitar is super fluid but your vox is really drawing me in.
Love this arrangement - makes me wish I lived in some cool New York apartment, and you were the stranger next door with the midnight guitar.
Utterly beautiful, emotive performance. Loved every tear-your-heart-out minute.
Gnarly!
Really cool. Reminds me slightly of Dylan :)
Brilliant dark track. Spellbinding
Very cool track :)
Very nice cover. I like it sung in the deeper voice register. Sounds very sincere. Nice guitar play
I like it :)
Nice rendition :)
Comments made by Tom
A trance inducing tune -- engaging stuff! Nice work here, Steve!
A menacing vibe to parts of this one and yet there is some rays of hope that shine through every once in awhile. Quite epic. Makes me think of some of the current events that have been going on in my country recently. Excellent work here, Steve!
I definitely tried to go for a natural approach and that has its pros and cons. There are a few word salads in this song that I stumbled through but at least it's authentic and authenticity was key with this one. Thanks, as always, for listening and providing the kind feedback, Steve!
Thanks, as always for listening and for the kind feedback, Steve! It's kind of scary to strip everything away and really expose one's voice and playing. So it's kind of a relief that what I did here still turned out sounding okay.
I really like how you took the essence of what Buckethead did with this song and funneled it through your lens!
Fun stuff, Steve! I love the speaker rattling bass and the crisp drum sound you got going on here. I'm tempted to craft some lyrics and melodies to this one, once I finish moving.
Thanks, Steve! I tried to go real lo fi on this one -- no overdubs. I figured I was due for some optimism in my song choices after recording all of Beck's Sea Change.
You definitely did a great job capturing Buckethead's propensity to mix in improv with more structured songs (in this case, "Jowls"). It would be super cool to hear you try out "Scraps," should you feel the desire to give another Buck song a go: https://www.youtube.com/watch?v=XvUGTmaKWTg
Dude! I love everything about this. Amazing stuff, Steve!
I felt downright awful as I was recording this song, "Already Dead," and "Side of the Road," so maybe my state of mind and body at the time added an additional charge to these songs? Either way, I'm glad you enjoyed them and I appreciate your ongoing encouragement, Steve!
A thoughtfully constructed and genuinely performed song, Steve. I particularly appreciate that way the violin and acoustic guitar interweave throughout. Nice job!
I'm glad that my recent run of Beck songs resonates with you, Steve! There's a therapeutic quality to them and I think that aspect manifests in the way I translate Beck's vocals. It's a nice bonus that it's somehow enjoyable for others, such as you, to listen to.
As my old Algebra teacher used to say: Keep It Simple, Stupid! I've found that some of the best songs are the most simple. Glad to hear that this approach has translated well to your ears, Steve. Thanks, as always, for listening.
Indeed, the chord changes were sometimes a bit tricky, but I think I managed to practice them well enough to get a finished product out there without too much trouble. Thanks, as always, for the kind feedback, Steve!
Love the funky bass in this one, Steve! My only "complaint" (if you want to call it that) is that I wish it were a little longer. That said, what you've made here sticks in the listener's mind far longer than its 1 and half minute run time might suggest, so I can see how one could argue the length is perfect.
Spot on insights, Steve! I think the author of the song was drawing on Thomas Mann's "Magic Mountain," particularly its meditation on the subjective nature of time. For example, time sometimes can seem to stand still when spending time with those we hold most dear.
Thanks for the comments, Guest. A log cabin sounds lovely - I hope it is everything you hope it is.
Thanks for listening and for your feedback, @TheProods. Calling this a Peanut Butter Cup is a good summation of my collaborations with DoktorDoktor. From a distance you might think we wouldn't be compatible, but, once you get past any initial reservations, you realize we make a surprisingly good combination, haha!
Aptly titled--I definitely was stomping along to the rhythm of this song. You mix a nice contrast of styles here. Well done, Steve!
Thanks for listening so closely, Steve! I was definitely going for something more emotional here, so it's cool that you caught that.