...and, quite possibly, the most misuse of a distorted saxophone ever...

Listent for different laughs - from giggles to guffaws - in the different string sections, working together (hopefully!). It's a room of higher-society hopefuls, laughing at each other's jokes, and I see one woman, powdered hair, large, sweeping…

...Tim Conway and Don Knotts, in the Woody, as the Wookalar lurks silently in the back of the wagon, don't expect a thing until its inhuman roar splits the silent air. As the creature lurches into the front seat, the car careens out of control...

...Tim Conway and Don Knotts, in the Woody, as the Wookalar lurks silently in the back of the wagon, don't expect a thing until its inhuman roar splits the silent air. As the creature lurches into the front seat, the car careens out of control...

...Tim Conway and Don Knotts, in the Woody, as the Wookalar lurks silently in the back of the wagon, don't expect a thing until its inhuman roar splits the silent air. As the creature lurches into the front seat, the car careens out of control...

...and, quite possibly, the most misuse of a distorted saxophone ever...

Unfinished. Got inspired by gated snare and all. I dig the little break, too.

...and, quite possibly, the most misuse of a distorted saxophone ever...

an improv with the ol pedal steel, with loads of fx. Spent a lot of time trying to get the noise off this track, but had limited success.

Probably not as happy as it sounds.