just the end and beginning of the beaty from the top music where the strange experimental stuff occurs usually...space bird starts and then the beats are back... ahhhh

like should i mix this one with the last one to see what I get you know in the track for track form :>>

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

this gets mixed into thoughts and back thoughts but here it is by itself, and right now I am listening to it, and @ about minute five something happens ;o nothing big just a mellow thing there as well. We, Me errrrr I am trying to cut the size…

This is a solo piano piece performed on a M-Audio 88es driving pianoteq which was re-tuned to Gene Ward Smith's 17 per octave equal beating dwarf(<17 27 40|). The piece was originally recorded in pianoteq using the standalone mode and then…

This piece is part of a review of John O'Sullivan's book The Mathematics of Music. You can read part one here. http://chrisvaisvil.com/?p=317

A world premier albeit a bit noisy - Gandhi ferret snoring.