This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings. I have to admit that the mix of acoustic guitar and Moog-like synth at the beginning of this is (perhaps too) evocative of Kansas…

This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings. I have to admit that the mix of acoustic guitar and Moog-like synth at the beginning of this is (perhaps too) evocative of Kansas…

This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings.

This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings.

Yes, I am dark sometimes. Aren't we all? Don't listen to closely, just turn this one up and lose yourself in the tones.

Nothing like the sound of a strat through that classic "brown" sound. Gritty, driving, crunchy, lovely tones...This is my welcome back, did you miss me, RPM 2008 opening track.

I was lost for a chorus, and a title. Then...Bruce.

Originally conceived as a mellow-ish, Stephen Stills sounding number (at least the verses), then the chorus came to me out of nowhere and turned the whole song on it's ear. I think that was for the better. I have to admit that I surprised myself…

Backwards acoustic! In synch with the beat! How did he do that? I was messing with the acoustic and it was sounding too '67 for me, so I decided to throw a hip-hop beat on it. I kind of like the holes in it, as well as the harmonies. It doesn…

The horn line came first, I started humming it in the garage one very cold morning in Feb. I was stuck for a title, until a friend used Kismet in a sentence. It's a fun bouncy number, though the mix is kind of bad.