Endicott Road's listening history
This is an answer to the question posed to me by Bethan Mathis. This is how I've been feeling this week. I'm okay. I've just come to the realization about the rhythm of life.
ER
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Thought I'd take another stab at this old track. I've had it with it now, so this is how it will stay - warts n all. :)
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My take on Gumbo's Keep Your Eye On The Spot, one of many excellent tracks from his RPM2011 album 'Cat's Moustache'. It's something of a departure from the original, though I was trying to retain an element of the gospel so hopefully its soul…
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I took a week off work to do some music, and what with the riots, and a huge alcoholic binge having massively negative effects on my hedmeds, I haven't felt an ounce of creativity/positivity. rather pure misery. so i didnt even bother trying Monday…
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I'm meeting an old Uni friend Saturday and I wrote this for her. My university years were quite possibly the darkest years of my life. Her, and the little comments she'd write in the margins of my lecture notes, were more important than she'll…
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This was written during the challenge in february and was meant to be the title track. But I never really got time to develop it. I still like it though, so I thought I'd cut it rough, leave it undeveloped, and chuck it out there to see what you…
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Here comes the rush
You feel it in your bones
And when your bones are crushed
You feel it in your soul
You just cant escape it
Its everywhere you go
Turn round and face it
Tell everyone you know
Ah, the rush
You've missed so much
Here comes…
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This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings.
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This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings. This is definitely the most significantly altered arrangement in the project so far. I was almost ready to scrap it entirely until…
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This is the new version of one of the tracks from my new project… rerecordings of some of my early solo recordings. I have to admit that the mix of acoustic guitar and Moog-like synth at the beginning of this is (perhaps too) evocative of Kansas…
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