192 tracks by Freddie Freelance

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first take RPM track
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A simple but slightly off kilter Drum Machine track topped with a drone made from a sine wave run through a Mutron 3 times, copied & overlaid on itself a dozen times, then that doubled & slightly offset to thicken the sound, then run through…
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A demo for the RPM Challenge, it's a combination of Drum Machine track with about 20 tracks of a plucked string sound run through a couple octaveators and multiple delays.
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Second Demo for RPM 2010
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First demo for RPM 2010
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trying to work the wrinkles out of Reaper 64 on Windows 7.
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I started with a MIDI file created by seeding the "Meta-Composer" Poodles & Flan with the word "Memory," and then fed it to three virtual VST instruments: Tweakbench Carillion & Tapeworm, respectively a Bell Modeling synth & Mellotron…
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Taking a drum track I built in Hydrogen, mixed with about 100 Thousand descending Shepard Tones (http://en.wikipedia.org/wiki/Shepard_tone), and a noise drone built of sequenced tones from the KLSTRBAS Nyquist plugin. I'm not sure I like the…
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I started with some bells created with Tweakbench Carillion, then slowed them down, and made about 40,000 (!) copies, which I stretched, compressed, & time shifted, then and mixed down, over laying them until they started to sound like organ…
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Just playing around with Hydrogen I came up with a 250BPM rhythm, added a slowed down bell track made with glommed together MIDI snippets run through Tweakbench Carillion, and some dialog from the '60s Italian Action film "Danger: Diabolik!" that…
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20 copies of mmi's "glubot for a day," slowed to various degrees & mixed back together.
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Sudara's "winter-will-pass" slowed down 60%
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Three freesoound.org tracks from CyberiaLainKittyKat: "Ambient Shit," "Alphabet Soup," & "Alarma," all variously strrrretched, chopped, reversed, run through a Phaser, a Mutron emolator, and then time shifted & stitched back together again.
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Pure noise. Made up of Bass Noise tracks made from various spoken word bits from movies & TV shows ("Excuse me while I whip this out," & "Fanmail from some Flounder?" among others) affected until they're just a series of grinds, buzzes…
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Dozens of copies of the bass Line I used in "Tyrannosaurs were the Nightingales of the Cretaceous" variously stretched, chopped, or reversed, then run through a ping-pong delay, multiple plate reverb emulators, multiple Mutron emulators, a ring…
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Made from freesound.org sample "14909__reinsamba__Nightingale_song_2.wav" and a chopped up & looped jazz bass riff created with the "Poodles or Flan" tool.
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A Bonus track for "Summer Twilight on Triton;" more of the same, but shorter.
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An excerpt from a 40 Minute long (!) Ambient Noise piece; I like the grumbling bassline in this piece.
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A shorter version of "Wubbity Woo," made with Creative Commons sample from FreeSonds.org: 40171_ERH_a_min_eh_strings_arp.wav
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A shorter, doubled and panned version of "Wubbity Woo," made with Creative Commons sample from FreeSonds.org: 40171_ERH_a_min_eh_strings_arp.wav
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