@ 2:00
Man... this is so cool. I really dig how the digi-bits, and the echo slides swirl their way around that late '60s/early '70s Gilmour and his gloomiest riff.
@5:00
This is progressing so nicely. Perfect pacing and tension happening. I can't wait to find out where this is going.
@7:45
Yes. (that little rising/humming bit could have gone on longer and I wouldn't complain)
@8:40
Uh... yeah. heck yes. There is no better thing that could have happened there. This is a sublime ending to this number.
@10:41
Thank you.
See the clip at: http://www.youtube.com/watch?v=Y900OZDCsjA
Also been used in the 'panic scenes' of Disconnected (part 2), check: http://www.youtube.com/watch?v=j60w0WjGcWg
See the clip, together with 'Cyberpunk' at: http://www.youtube.com/watch?v=Y900OZDCsjA
Has also been used in 'Disconnected'(part 2):
http://www.youtube.com/watch?v=j60w0WjGcWg
I thought it was ideal for depicting the paranoia of the combatants who are losing sight of the dematerializing cyborg in 'Disconnected' (part 3): http://www.youtube.com/watch?v=Mcneid9bS_U
Ever get that feeling you've been somewhere before even though you know you haven't? 6 songs in listening to an artist I have never heard before and there is a familiarity (title aside); very effective.
The percussive bits are a great counterpoint to the rest of the piece; the vocals are cryptic and quite unexpected. Great job thinking outside the box.
In an online course on Einstein's miracle year of 1905 we had to do a creative project and I was going to submit this but never did. Hope you think it's funny.
This is the title track from our album, and is the counter part to the track, "Watershed." They are very closely related counterparts, and throw hands with each other from time to time. Those were strange and embittered times, birthing some sharp…
This is some great stuff. Sounds like a meld of many of my favorite bands from my younger gen x days, but has enough unique quality of its own to be refreshing and captivating.
This song came about a couple years ago as an acoustic piece, recorded without being fully written. It went untouched and almost forgotten until we started piecing the album together and were looking for a good driving tune. I think we greatly…
The perfect change of gears in followup to the two opening tracks. Wonderfully solemn with enough left turns to keep the listener guessingly engaged. The 3 1/2 minute mark is a spectacular reminder to us not to get too comfortable because shit is about to get real.
Comments on Hector's stuff
That was me, btw. Forgot I wasn't signed in. hahaha.
@ 2:00 Man... this is so cool. I really dig how the digi-bits, and the echo slides swirl their way around that late '60s/early '70s Gilmour and his gloomiest riff. @5:00 This is progressing so nicely. Perfect pacing and tension happening. I can't wait to find out where this is going. @7:45 Yes. (that little rising/humming bit could have gone on longer and I wouldn't complain) @8:40 Uh... yeah. heck yes. There is no better thing that could have happened there. This is a sublime ending to this number. @10:41 Thank you.
Intelligent!!!!brilliant!!!awesome
Refreshing!
Sounds a bit like 'Oi' (eighties UK punk rock) has also some Dead Kennedy's in it
Pretty fat sound, nice and eerie feel.
Reminds me of Basement 5 (cool black punk rock from the UK)
Heavy as hell, love it.
YEA!!! You guys rock!
Awesome song, I'm definitely a fan.
2 Canadians and $200 huh? Pretty cool. Sounds like the Pepsi 400.... good tune!
Yes, 43 STP! What a cool song!
Comments made by Hector
Full circle. Clever, captivating stuff. Thank you for sharing these wonderful pieces.
Not sure what the question is but I am positive the answer is 42.
Ominous and dissonent.Great!
Good and sparse. Quintessential soundtrack vibe to this. Love the dialogue; chillingly delightful.
The title says it all. And, let's be honest here; who doesn't love a good cacaphone now and then?
Ever get that feeling you've been somewhere before even though you know you haven't? 6 songs in listening to an artist I have never heard before and there is a familiarity (title aside); very effective.
The percussive bits are a great counterpoint to the rest of the piece; the vocals are cryptic and quite unexpected. Great job thinking outside the box.
Spectacularly gritty considering the genre. The dub-like elements are a nice touch. Proof that dreamwave needn't always be a floaty silky immersion.
Mesmerizing and almost hypnotic, yet cleverly melodic. Quite intriguing.
Fantastically spooky. Builds an almost uneasy anticipation on a cryptic level; wonderfully crafted.
Love this. Evocative, dreamy goodness. This is proper ambient music.
Hell yeah! And for the record, Albert Einstein certainly was the man. \m/
The glory days of groove guitar jam are back. Very very cool.
This is some great stuff. Sounds like a meld of many of my favorite bands from my younger gen x days, but has enough unique quality of its own to be refreshing and captivating.
John Cleese put it best: "And now for something completely different". Works nicely as a segue into "Take".
The perfect change of gears in followup to the two opening tracks. Wonderfully solemn with enough left turns to keep the listener guessingly engaged. The 3 1/2 minute mark is a spectacular reminder to us not to get too comfortable because shit is about to get real.