Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them).
~and just letting it flow~
~Essence of a musical box with the ballerina spinning around and around~ /as Bethan said/
~
Calm the night, unstirring,
And the air so clear
Pearls of dew uncurling,
Moonlight rays unfurling
’Cross the glassy mere.
Dulcet waves appeasing…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
From Hemisphere, to be released September 2009, via Download and CD, plus pdf art file at GeoffreyArmes.com. 4 track Live recordings edited and overdubbed in home studio.
This track evolved over a couple of weeks. playing with sounds that I recorded and layering synths.
I have tried to give it different textures as it progresses. hope you like it and would love your feedback
an old Traditional persian Music for 100 years ago.It was Instrumental but we wrote a lyric on it. lyrics speaks about Freedom as a philosophic view.hope you enjoy it !
Similar in feel to the other Fragile Moment track. Mostly acoustic guitars recorded sitting in my shop on the H4N and then finished up in Cubase just this morning. September 9 09. Maybe a nice one for bedtime
A tribute to Ted Kennedy. It was a little ambitious for part of a 24h project.
Lyrics:
the world was hurt today
with news scary to say
we lost another man
right when progression began
and I hate to see you go
I just wanted you to…
So i sat in my room one day incense burning, with my $100 pawn shop 2nd hand bass guitar which i painted white with the same paint as my walls and i turned the reverb on full and started doing volume swells with the knob on my guitar.. i sat for…
Comments on igor's stuff
Like how some the songs have a much springer/bright sound than the others
great composition
Wonderful album of sweet tones - I'll return to this exceptional playlist again and again.
very nice
Good one, wild turnarounds.
Wonderful album Igor. I love nylon string classical guitar ;)
Very lovely.
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
really very nice,, what synth did you use for the horn,, i liked it's tembre very much
I remember watching doves flying around Checkpoint Charlie back in the 70's.
What a gorgeous composition with many faces.
Missed this one. Gorgeous!
Very nice
evocative soundscape and quite beautiful playing
And a lovely moment it is!
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them). ~and just letting it flow~
So nice, quiet and innocent sounds... super nice.
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Lovely piece!
So beautiful, Igor...
Comments made by igor
...now with vocal! Oh, great. Hope to see you [alive] somewhere [in Berlin] :-)
...and I'm flowing down...
...go gestalt! Need to be clarified (in sound), though
Hey, I'm here second time and still like it. Strange :-)
That one I like
Somebody was in a rush :-)
This and some over pieces over here are minimalistic and very atmosphérique (I mean "good", at least for me :-). I like it
Erik, you're great with miniature sketches, here and with other over here. I like them all
Will try to follow your piano here, hmm... But with no voice, that voice - no way for me. So, will listen :-)
Great song, story from a thousand years ago. Il est le conseiller musical et le correspondant de l'association pour l'Iran...
Great
I like it, Kirk-The-Master
No comments. Blues
Largo
...to everyone and no one: I feel as if I'm no one...
...a young hopeful! I like it :-)
It's like Gonzales solo piano works for me. Thanks