yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
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This is a live mix of 6 oscillations created in Pure Data. CDBAF#E according to my notes. Discovered this patch from making it about a year ago on a Linux machine. I opened up and created this live interaction.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
I've been inspired all week by Steve Reich's Electric Counterpoint. This piece of 6 parts done by me on baritone ukulele is my response to it, very loosely based and the core repetitive rhythmic part based on the 3rd movement, Fast. Additional…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
I haven't done anything in Pure Data in several weeks and today amidst the Thanksgiving festivities, started playing with a foundation for a piece. I resurrected an acoustic guitar sample I had recorded in a reworking several months ago for a…
this is all James Bailey’s work and again I just added the delayed stereo effects with the bent time lines left and right.. no big thing but I am liking this just as much as the original.. next comes the effects :) while the movie renders..
Comments on jimgoodinmusic's stuff
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
I am here.. and there.. and everywhere --- we all are. :) great experiments, I think the sounds are true--
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definite workings in sound.. it is.. consistent and well played. here-
so experimental there is a way about this that has,,.. mmm a way about it.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
I seriously like the progress in these constructions..it’s really developing into new music.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
<3 me Reich-ish things on stringed instruments. Nice one!
A cool microtonal experimental piece!
Linda: “what is your phone doing?” :D
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
wow Love this.. --- I don't even hear the cover Tomorrow Never Knows in there so that makes it even better.. --
Comments made by jimgoodinmusic
Bill like your graphic on this. Mixes are quite creative, you really paint tonality each week.