Katchoolik

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It has that winter feeling — still air, dim light, the kind of silence you only get far away from everything. Like sitting by a fireplace in a small cabin, somewhere near a frozen lake, with nowhere else to be. bonus track from the album Low…
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It’s one of those tracks that feels better the later it gets — somewhere between winding down and staying up too long, when things are quiet but your head isn’t. bonus track form my album Low Voltage Hours
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C'est une chanson de Elton John 1976, collaboration JP (Savoie France) Tim (Mississippi, USA), Nick (Hebrides Islands, Scotland) Corné (Amsterdam, Netherland)
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It’s one of those tracks that feels better the later it gets — somewhere between winding down and staying up too long, when things are quiet but your head isn’t. bonus track form my album Low Voltage Hours
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StephenMoore said

mesmo

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It’s one of those tracks that feels better the later it gets — somewhere between winding down and staying up too long, when things are quiet but your head isn’t. bonus track form my album Low Voltage Hours
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StephenMoore said

low voltage hours... interesting name.

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It has that winter feeling — still air, dim light, the kind of silence you only get far away from everything. Like sitting by a fireplace in a small cabin, somewhere near a frozen lake, with nowhere else to be. bonus track from the album Low…
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StephenMoore said

yah, yah... yah

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It has that winter feeling — still air, dim light, the kind of silence you only get far away from everything. Like sitting by a fireplace in a small cabin, somewhere near a frozen lake, with nowhere else to be. bonus track from the album Low…
Uploaded
StephenMoore's avatar
StephenMoore said

yeah, I liked your write up of kind of being lost in a cozy place in the middle of nowhere... the white noise in this really works.... the music gets better and better... it goes from kind of crazy to something very normal like one might hear in an elevator... and that usually means it is serene... and well done... this is good for me.

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Katchoolik records songs the way others keep journals — quietly, late, and without asking for permission.

Somewhere between tape hiss, worn-out strings, and small machines glowing in the dark, these pieces come together. Not perfect, not polished — just honest attempts to catch a feeling before it disappears.

There are traces of jazz, old pop, broken electronics, and whatever was in the room that day. Most of it was recorded in small spaces, at odd hours, with whatever worked.

If you listen closely, you might hear the room.

from DE

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