Written today. recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now. LYRIC: Fill up the glass, Bartender Ply your art Quench the fire in here, now…

a pop song for a movement that needs popularity

Sister Savage has a little star in this track! Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…

Sister Savage has a little star in this track! Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…

Sister Savage has a little star in this track! Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…

This is another abstract movement I made for piano

After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material. A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…

Written today. recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now. LYRIC: Fill up the glass, Bartender Ply your art Quench the fire in here, now…

the lead synth line is 1/8 beat longer than other measures. It repeats 3 times at 8/8 and then the last one 9/8, which causes the lead to sound slightly more varied throughout the track. it starts a little later each time..