Parametric plugin drums, guitar, and bass.

Collage of leftovers from the recording sessions for this album and the corresponding Spice Rack Collective album, Could Have Done Better.

The happiest-sounding thing I've ever recorded, as far as I can remember. Played on my new (at the time) acoustic guitar, upright bass, and thrift-store student-model bells.

Insufferably conceptual - nature vs. mankind.

Started with a programmed cello part that I forgot to unmute when I exported the WAV and MP3 files. Ah, well.

I picture three rickety automatons, their paint cracked and faded, dancing near each other in a dusty "futuristic" cabaret that humans have not visited in a couple of decades. The figures should dance together, but their hands rest a few inches…

Programmed drums, one of my bass guitars, and my flat-black Epiphone Explorer.

Parametric plugin drums and my old Ibanez shredder guitar.

Parametric plugin drums and either my new seafoam Squier Strat copy, or the last hurrah for the old Fernandes Strat copy that I sold back to its original owner.

Meh. Quick attempt to emulate the better drone track from 2011. Loud and feedback-y, but dull. Added 3 minutes to the runtime, so there's that.

My wife found me a creepy picture of a demented looking rabbit and cat playing banjos, so I tried to imagine what song they were playing. Then I added some cursing.

Electronic track based on the verbose message that displays when one enters an incorrect password in our corporate time tracking system.

Electronic track cut short by the imaginary (and irascible) electronic recording engineer that I like to think lives in my computer.

Generated in FL Studio. I cracked myself up thinking about each electronic instrument being played by a separate AI or robot in an electronic band.

My annoying voice speaking through a mic attached to a guitar multi-effects processor while I cycle through presets.

Collage of bits and scraps from other tracks. Includes an old third- or fourth-hand drum machine from the 80s.