I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
Sitting at my computer, I was surprised to be caught up in the narrative of tension, explosive pain, and existential loss, set against a web of beautiful sounds, of this piece. I thought it was extraordinary, and wished I'd be present at the performance.
- Nan
In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
I liked the sounds and didn't find them as severe as you led me to expect. You are a bit hard to hear and sometimes rush the end of sentences so they're hard to understand. Could you sing this instead of speak it?
Hal Sox
I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
Comments on Kyle Bartlett's stuff
i like this piece very very much! i cannot stop to hear this. thank you!!
Powerful and eerie! Particularly admiring the percussive elements.
I enjoyed this! Brilliant for halloween too.
..beautiful :)
Sitting at my computer, I was surprised to be caught up in the narrative of tension, explosive pain, and existential loss, set against a web of beautiful sounds, of this piece. I thought it was extraordinary, and wished I'd be present at the performance. - Nan
I liked the sounds and didn't find them as severe as you led me to expect. You are a bit hard to hear and sometimes rush the end of sentences so they're hard to understand. Could you sing this instead of speak it? Hal Sox
reflective opera piece. I like.
Your flute playing is incredible....i must download this for future listening. Great composing. Fav'd.
Thanks, KraftiM! More of this piece coming soon.
brilliant little modern opera, superb work...
interesting piece,, this is a work i will listen to more times
Comments made by Kyle Bartlett
Thanks, KraftiM! More of this piece coming soon.