Kyle Bartlett
Latest Music
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
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In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
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This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
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I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
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In Automatica (recollection) I experimented with a new work method, trying to capture the immediacy of the creative impulse. Taking a cue from the forward-moving work process of calligraphy or watercolor, each piece was more or less through-composed…
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String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
Uploaded
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
Uploaded
I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
Uploaded
In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
Uploaded
Most Popular
This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
Uploaded
In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
Uploaded
I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
Uploaded
This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life.
flute, me; voice, Benjamin Pierce;…
Uploaded
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
Uploaded
Latest Comments
I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
Uploaded
Guest
said
i like this piece very very much! i cannot stop to hear this. thank you!!
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
Uploaded
Guest
said
Powerful and eerie! Particularly admiring the percussive elements.
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
Uploaded
String trio, 2012.
performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello.
Live recording by Ryan Streber, 10/20/12
Uploaded
In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
Uploaded
Guest
said
Sitting at my computer, I was surprised to be caught up in the narrative of tension, explosive pain, and existential loss, set against a web of beautiful sounds, of this piece. I thought it was extraordinary, and wished I'd be present at the performance. - Nan
I’m a composer working mostly in chamber music and electronics.
from Philadelphia, PA, United States
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