Kyle Bartlett's listening history

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This is the final scene of "The Lost Child," my big work for flute/actor/percussion/electronics. In this scene the protagonist/wild woman Ana realizes she will be outed as a fraud, and so takes her own life. flute, me; voice, Benjamin Pierce;…
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In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…
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I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.
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This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
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This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
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counter)induction, featuring Benjamin Fingland, bass clarinet.
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counter)induction
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String trio, 2012. performed by counter)induction: Miranda Cuckson, violin; Max Mendel, viola; Christopher Gross, cello. Live recording by Ryan Streber, 10/20/12
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This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
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This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.
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