This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.

I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.

This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.

counter)induction

I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.

In Automatica (recollection) I experimented with a new work method, trying to capture the immediacy of the creative impulse. Taking a cue from the forward-moving work process of calligraphy or watercolor, each piece was more or less through-composed…

I think of this piece as being very physical in its representation and transformation of harmony and texture. counter)induction, with Alex Sopp on flute.

In a number of significant ways, I have written Vox Sanguinaria twice. The first time was centered around my charismatic friend Cara Reynolds and an important event in her life. When I went to learn the actor's part for the counter)induction concert…

Sharon Roffman, vn Sumire Kudo, vc

This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.